Practicing Modernity

Female Creativity in the Weimar Republic. Edited by Christiane Schönfeld. Aus dem Inhalt: I. Sharp: Women and Weimar Berlin. - C. Ujma: Theories of Masculinity and the Avant-Garde. - T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity. - A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture. - D. Rowe: Painting herself. Lotte Laserstein between subject and object. - U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar's Discourse on Art. - C. Finnan: Photographers between Challenge and Conformity. Yva's Career and Œuvre. - K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics. - J. Trimborn: Leni Riefenstahl's Career before Hitler: Success-stories of an Outsider. - C. Schönfeld: Lotte Reiniger and the Art of Animation. - A. Lareau: The Blonde Lady Sings. Women in Weimar Cabaret. - I. C. Gil: Jede Frau ist eine Tänzerin... The Gender of Dance in Weimar Culture. - B. Maier-Katkin: Anna Seghers, Irmgard Keun. A Discourse on Emancipation and Social Circumstance. - C. Ujma: Gabriele Tergit and Berlin: Women, City and Modernity. - C. Finnan: Marieluise Fleißer's Self-Reflections on the Female Writer. - J. Redmann: Else Lasker-Schüler versus the Weimar Publishing Industry. Genius, Gender, Politics, and the Literary Market. - J. Warren: Contrasted Heroines in Two Plays by Ilse Langner. A Dramatist at Weimar's End. - L. Soares: Vicky Baum and Gina Kaus: Vienna, Berlin, Hollywood. XVIII,353 Seiten, broschiert (Königshausen & Neumann 2006) leichte Lagerspuren

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