Keck, Michaela
Deliberately Out of Bounds

Women's Work on Classical Myth in Nineteenth-Century American Fiction.

Based on the concepts of Blumenberg and Warburg, Keck explores the functions and meanings of the multilayered and complex reconfigurations of ancient figures from classical myth in image and text in worky by authors like Catharine Maria Sedgwick, Lydia Maria Child, Elizabeth Stoddard, Elizabeth Stuart Phelps, and Louisa May Alcott. - Nymphs, maenads, goddesses, and heroines from classical myth populate nineteenth-century American women writers' fiction in exhilaratingly innovative, often multilayered and complex reconfigurations. Based on Hans Blumenberg's notion of artists' ongoing "work on myth" and Aby Warburg's concept of "pathos formulae", this monograph explores the functions and meanings of these ancient figures in image and text. Examining novels by Catharine Maria Sedgwick (A New-England Tale), Lydia Maria Child (Philothea), Elizabeth Stoddard (Two Men), Elizabeth Stuart Phelps (The Story of Avis), and Louisa May Alcott (A Modem Mephistopheles), this study sheds light on the intellectual and aesthetic achievements of these American women writers across a range of genres. Furthermore, the book challenges the assumption that women's "work on myth" did not thrive until the second half of the nineteenth century and proposes an approach to overcome the persisting binary and gendered opposition between myth and logos as the 'feminine' body and the 'male' mind. 363 Seiten mit 19 Abb., gebunden (American Studies; Vol. 282/Universitätsverlag Winter 2017)